Dasatangoi is a Persian word for the centuries old, rich tradition of oral storytelling as practiced in the subcontinent. The epics that have passed on from one generation to another tell magical stories of adventure, war, religious anecdotes with immense details such as Arabian Nights, Dastaan-e-Ameer Hamza, and Mahabharata. Inspired by this subcontinental tradition, the presentation focuses on how these rich epics were translated into visual narratives in various indigenous textiles such as in Persian shikar-gahs and the subcontinent’s Chamba rumaals. In addition, it shows how these guided and made skeletal references for contemporary textile artists in Pakistan. Therefore, the presentation documents indigenous and contemporary textiles t...
We are in a place of flux in the textile world, finding our way between shifting philosophies and ne...
Decorative cloth has been used in India to portray folk epics as a means of entertainment and as a s...
As a Fulbright Specialist in Kuwait in 2015, I was introduced to a textile known as sadu, which loos...
Global trade, design influence and inspiration are central to the history of Indian textiles. Estima...
This paper begins an investigation into, the practical, social, spiritual and protective roles of de...
A community of block printers and dyers in the Indian state of Gujarat has concentrated upon produci...
Weaving, in both its traditional and innovative applications, emerged across the Chittagong hills hu...
Indian textile traditions are exemplars of Deep Local, firmly rooted in geography and culture. Even...
This presentation examines the living tradition of hand-spinning wool for garment cloth in Ladakh, N...
The region of Gujarat in the west has been an important textile export zone of India and remains an ...
When examining silk textiles attributed to the early modern Persianate world, there is always some u...
A zigzag line of resist dye characterizes a fabric called Mashru. It was produced in several differ...
In the summer of 2007 a team of six people gathered in Tashkent, at the Central Asian heart of the a...
In many areas of the world, traditional textile cultures are being ‘kept alive’ or revived through t...
Five textile specialists from various backgrounds came together to explore shared interests in India...
We are in a place of flux in the textile world, finding our way between shifting philosophies and ne...
Decorative cloth has been used in India to portray folk epics as a means of entertainment and as a s...
As a Fulbright Specialist in Kuwait in 2015, I was introduced to a textile known as sadu, which loos...
Global trade, design influence and inspiration are central to the history of Indian textiles. Estima...
This paper begins an investigation into, the practical, social, spiritual and protective roles of de...
A community of block printers and dyers in the Indian state of Gujarat has concentrated upon produci...
Weaving, in both its traditional and innovative applications, emerged across the Chittagong hills hu...
Indian textile traditions are exemplars of Deep Local, firmly rooted in geography and culture. Even...
This presentation examines the living tradition of hand-spinning wool for garment cloth in Ladakh, N...
The region of Gujarat in the west has been an important textile export zone of India and remains an ...
When examining silk textiles attributed to the early modern Persianate world, there is always some u...
A zigzag line of resist dye characterizes a fabric called Mashru. It was produced in several differ...
In the summer of 2007 a team of six people gathered in Tashkent, at the Central Asian heart of the a...
In many areas of the world, traditional textile cultures are being ‘kept alive’ or revived through t...
Five textile specialists from various backgrounds came together to explore shared interests in India...
We are in a place of flux in the textile world, finding our way between shifting philosophies and ne...
Decorative cloth has been used in India to portray folk epics as a means of entertainment and as a s...
As a Fulbright Specialist in Kuwait in 2015, I was introduced to a textile known as sadu, which loos...